"I am 3/4ths Canadian, and one 4th New Englander - I had ancestors on both sides in the Revolutionary war." - Elizabeth Bishop
____________________________________________

Saturday, September 3, 2011

Our London Correspondent Writes --

THE TLS LECTURE

Elizabeth Bishop: dwelling without roots

Tom Paulin
Chaired by Fiona Sampson

Monday, 17 October 2011, 7 p.m.

Since her death in 1979, the reputation of Elizabeth Bishop has grown to the point that she is now regarded as one of the most important American poets of the twentieth century. Her small body of work (she published only 101 poems during her lifetime) is distinguished by its precise description of the physical world, by grief, and by the struggle to find a sense of belonging. During her early childhood her mother was committed to an asylum, and she grew up first with grandparents and then with an aunt – ‘I was always sort of a guest,’ she wrote, ‘and I think I’ve always felt like that.’ In a talk chaired by fellow poet Fiona Sampson, poet, critic and playwright Tom Paulin, who has written extensively on Bishop, marks the centenary of her birth by exploring her genius.

We are grateful to the Royal Literary Fund for sponsoring this lecture.

Venue: Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House.

Fellows and Members: book your seats online or by ringing Hazel on 020 7845 4676. Seats for guests (one per meeting) must also be booked in advance.

A limited number of tickets will be sold on the door, from 6pm, on a first come, first served basis (£8/£5 conc)

Thursday, September 1, 2011

Our Texas Correspondent Writes --

A TRIBUTE TO ELIZABETH BISHOP (1911-1979)

by michele_miller

Please join us on September 22 for this special event to celebrate the 100th birthday of Elizabeth Bishop, U.S. Poet Laureate from 1949 to 1950, and winner of both the Pulitzer Prize and National Book award. Join the English department’s MFA students and faculty as they read selections from Bishop’s work and share what her poetry means to them.

The Wittliff Collections
The Alkek Library, 7th Floor
Texas State University
601 University Drive,
San Marcos, TX 78666
visit web site
call 512-245-2313

Tuesday, August 30, 2011

ViewPoint Gallery: Unique exhibition has artists respond to Elizabeth Bishop's poem "One Art"

Photo: The Walker, by Teresa Alexander-Arab

(Halifax, Nova Scotia) - ONE ART at ViewPoint Gallery is a group exhibition of twelve photographers and one contemporary composer. In it, these artists have responded to Elizabeth Bishop's poem "One Art." This exhibition's photographers were selected by an independent jury: Adriana Afford, Robert Barriault, and Anne Simpson.

ONE ART participants are: Teresa Alexander-Arab, Binnie Brennan, Marla Cranston, Heather Francis, Laurie Gunn, Rena Kossatz, Sandy Leim, Irene Miller, John D. Scott, Roxanne Smith, Sandi Wheaton, and Monika Wright.

The composer is Ian Crutchley, who was commissioned by ViewPoint Gallery to create this sound installation. This is the first time ViewPoint Gallery has collaborated with a composer. The artists are local, national, and international, and range from first time exhibitors to artists with considerable exhibition experience. The work in the exhibition is richly contrasting, varied, and all linked together by the poem "One Art."

There will be a series of events accompanying the exhibition. The première of Ian Crutchley's sound installation "How To Lose Things: Lessons From Elizabeth Bishop" will be on Sunday, September 4, at 2 p.m. On Sunday, September 11, at 2 p.m. there will be a panel discussion about the exhibition that includes several of the artists, one of the jurors, Robert Barriault; and Sandra Barry, Bishop Scholar and co-founder of the Elizabeth Bishop Society of Nova Scotia. On Sunday, September 18, at 2 p.m. Sandra Barry will be giving a presentation "Contemplating Elizabeth Bishop's One Art." On Sunday September 25, at 2 p.m. the Gallery will be presenting a reading series of Elizabeth Bishop's poems read by Brian Bartlett, Lorri Glenn Neilsen, Alex Pierce, and Margo Wheaton.

All events will take place at ViewPoint Gallery.

This exhibition is part of the EB100, a year long celebration of the centennial of the birth of Elizabeth Bishop.

ONE ART opens at ViewPoint Gallery (1272 Barrington Street, Halifax, Nova Scotia) on Thursday, September 1, 7-9 p.m. The exhibition continues until October 2. The Gallery's hours are Tuesday - Sunday 12 - 5 p.m., and Thursday - Friday, 5 - 7 p.m.

For online press kit please see: http://viewpointgallery.weebly.com/media.html

For more information contact:
Roxanne Smith (902) 469-9756

ViewPoint Gallery is an artist-run non-profit co-operative, whose members are photographers working together to nurture and promote their artistic passion and the practice of their craft, to exhibit and market their work, and to actively engage in the cultural life of the broader photographic community.

Sunday, August 28, 2011

EB100 ARTS FESTIVAL -- Rev. Dan Gunn speaks on "Home"

[An excerpt from the Old Time Church Service held at St. James United Church, Great Village, Nova Scotia, on Sunday, August 21, 2011. -- JB]

Thursday, August 25, 2011

EB100 ARTS FESTIVAL -- Sandra Barry's Reading -- Part 1

[With this post we begin a video survey of the many events that took place during the Elizabeth Bishop Centenary Arts Festival, held in Great Village, Nova Scotia, August 18-20, 2011 -- JB]




Monday, August 22, 2011

Elizabeth Bishop Festival in Great Village: Fun for All Ages!

Our Truro correspondent writes:

Great Village's William Austin had a great time participating in Saturday's cardboard boat race on Spencer Pond during the Elizabeth Bishop Centenary Arts Festival in Great Village. [Monique Chiasson - Truro Daily News]

It was obvious something special was happening in Great Village on the weekend.

Cars lined the main streets, people packed St. James United Church to listen to poetry and indulge in community meals, while others flocked to the Elizabeth Bishop house and a unique race took place, to name only a few events.

The weekend-long Elizabeth Bishop Centenary Arts Festival was in full swing on Saturday.

Perhaps the most enthusiastic group of people was the cardboard boat racers. About 70 participants spent three hours constructing the boats out of only cardboard and duct tape. They then took turns racing the rudimentary boats in nearby Spencer Pond.

"I'd like to see more of this kind of stuff," said nine-year-old Marshall Field of Great Village, who was a participant in the race.

The youngster also took advantage of the festival to learn more about Elizabeth Bishop.

"I know she went to my school," he said, referring to Great Village Elementary school.

For more on this story, see Monday's Truro Daily News.

Tuesday, August 16, 2011

Our Wolfville Correspondent Writes --

In celebration of the Elizabeth Bishop Centenary, Musique Royale is in Wolfville at the Manning Memorial Chapel, Acadia University, August 23. The 7:30 p.m. performance is part of a weeklong tour of the province with soprano Suzie LeBlanc, violinist David Greenberg and the Tempest Baroque Ensemble, with guest harpsichordist Alex Weimann. Harry Thurston will recite excerpts from the poetry of Elizabeth Bishop during each performance.

Elizabeth Bishop (1911-1979) is a Pulitzer Prize winner and one of the most acclaimed poets of the 20th century. She spent much of her childhood in Great Village, NS, at the home of her maternal grandparents. Although technically an American - she was born in Worcester, died in Boston and is buried in Worcester - Nova Scotia was the centre of her spiritual and aesthetic universe.

“At the Fishhouses” was inspired by a visit to Lockeport Beach in the late 1940s. A few fish houses are still in existence along the Long Cove Road. Bishop being an acute observer, the poem begins with a detailed description of a fisherman, netting, and his fishing tools. The end of the poem takes us away from the visible, where time and place dissolve and imagination takes over.

The flow of music and words at the concert aims to transport the listener to a new environment through the use of time, melody, harmony and rhythm. Interspersed with recitations by Harry Thurston, the musicians will perform works by Dowland, Purcell, Vivaldi, J.S. Bach, Mozart, plus a Cape Breton and Acadian medley arranged by David Greenberg, and The Silken Water is Weaving and Weaving by Alasdair MacLean.

The Elizabeth Bishop Centenary Arts Festival, August 19 to 21 in Great Village is a gathering of writers, musicians, painters, actors, filmmakers and other artists who will present wonderful readings, workshops, exhibitions and concert performances in celebration of the centenary of Bishop’s birth. The opening concert of Musique Royale’s At the Fishhouses tour is the final event of the arts festival.

Tickets for the Wolfville concert are $20 at the door, students $10. Call 582-3933 or click here for further information.

[from Wendy Elliot's report in the King's County Advertiser and Register, August 13, 2011.]

Friday, August 12, 2011

FIRST ENCOUNTER XXXV: ELIZABETH BISHOP IN SONG

Rosalee Peppard celebrates the life of poet Elizabeth Bishop (Courtesy Rosalee Peppard and Mayflower Music) www.rosalee.ca



Rosalee writes:

"In November 2009 I was invited to join master storyteller, Claire Miller, at her home for a house concert. Afterward she introduced me to Sandra Barry. We had a delicious chat and when I mentioned that we owned our ancestral home in Great Village, Nova Scotia, she passionately introduced me to Elizabeth Bishop. EB had wafted around my psyche for a couple of years but we hadn’t met. In 2008, I had even arranged a tour of EB House (of which I was previously unaware!), for a couple who had stayed with us and subsequently gifted us with the then new Library of America EB “bible”, which they had worked on.

"In that fateful meeting with Sandra, I learned of EB’s upcoming centenary celebrations which included multimedia expressions of art celebrating EB’s art. Since my work has been to transcribe women’s stories into song, Sandra and I seemed destined to broach the subject as part of the centenary celebration. In an early telephone conversation with Sandra, she said that while her poems had been set to music by many illustrious composers throughout the years and especially for the centenary, to her knowledge, no one had written EB’s life story in song. Her advice: read Elizabeth, not about Elizabeth. The gauntlet had been dropped. So I set to.

"For a year I did EB immersion. I was tossed on the Fundy tides of her dramatic life. My mind was chilled by the depths of her insight and calm wit, and my soul exhaulted by her wealth of our language and its nano-precision. How to paraphrase, to transcribe into poetry and music a literary and lush life such as EB’s? The more I read, the more surprising similarities I found with my own life. My “Peppard People” are from Great Village. Though not as tragic, I had been separated from parents at an early age. I have allergies and like EB anaphylactic to cashews. I am very sensitive; I too have an “artistic temperment”. I have an addictive personality. I Love poetry and literature. I Love music of all kinds. I’m artistic and have a good sense of humour. We met on many common pages of our life books.

"The more I read EB’s poetry, the more I found I became irritated and rather depressed. I felt as if I were riding along the road through her dream world full of shadows of shame and sorrow. The light licks of humour were not enough to awaken my soul of its sadness and sadness for EB. I felt at the bottom of her bottomless glass, thirsting for a reality that had been ever-evaporating. As she wrote to Anne Stevenson, “There is no “split.” Dreams, works of art (some), glimpses of the always-more-successful surrealism of everyday life, unexpected moments of empathy (is it?), catch a peripheral vision of whatever it is one can never really see full-face but that seems enormously important. ... What one seems to want in art, in experiencing it, is the same thing that is necessary for its creation, a self-forgetful, perfectly useless concentration. (In this sense it is always “escape,” don’t you think?)”

"Then I read her prose. I was home. Fascinated. She wrote place and characters from the inside out and insisted I “come in”. I was in my ancestral village, with every one of my senses filled with life. There. Yet there through Elizabeth. She was it and is it. Her song would have to reflect that: that when you go to Great Village, you go to Elizabeth Bishop, and when you read Elizabeth Bishop, you read Great Village.

"I continued and read Elizabeth’s letters. The grounded reality. The solid opinions. The wealth of language and languages. The apologies. The later stark allusions to childhood horrors and hurts. The bitter resignation of connection with her uncle. Then the artistic insights: The love of visual art and many kinds of music, and which ones. A person who filtered life through her acute senses, raw, dramatic earth shaking keeping the most precise, minute, details as microscopic mosaic word tiles with which to express life. And yet, in the flow of her writing, the ever present self-questioning and second guessing. A pervasive sense that there is no ground.

"Then I went back to her poems with her “key” and was enriched. Got the wit. Revelled and marvelled in the imagery. It was if she opened a back stage door and I saw the fragility and the humour of the flimsy, rough supporting 2 x 4’s that were holding the painted Set up on the stage of her and my life. Wow. Elizabeth Bishop’s voice was powerful and absolutely unique. And so, with those seeds, the song began to write itself..."

Monday, August 8, 2011

More about the Elizabeth Bishop Centenary Arts Festival

Travelers on the seashore route that connects Masstown, Great Village, Bass River, Economy and Five Islands have been admiring the stunning flower baskets and colourful banners on roadside poles, and perhaps wondering “What’s the occasion?”

The Elizabeth Bishop Centenary Arts Festival is a once in a lifetime happening that is raising the level of pride for all the communities of the Cobequid Bay Shore. The Festival, August 19, 20 and 21, features many free events open to everyone (full details at www.elizabethbishopns.org) plus writers’ workshops and three excellent concerts.

Volunteers from all of these communities have been planning together for two years to make this festival happen. Joy Laking, one of the local artists, designed the t-shirts and banners. "For over thirty-five years” says Laking, “I have lived and worked in the area and there has never been an event like this that includes all of the local communities. The banners and the flower baskets represent our pride in our area and our willingness to work together to keep our shore a wonderful, beautiful, vibrant place to call home."



Starry Night in Great Village, Painting by Joy Laking
(This colourful and expressive image is the one presented on the Arts Festival brochure and the banners that line the shore road. It has also been put on T-shirts, which will be for sale at the festival.)

Although most of the concerts and readings are taking place in Great Village, the ancestral home of beloved poet Elizabeth Bishop, there is also a full day of children’s activities in Bass River on Saturday, August 20, organized by the Bass River Heritage Society. A jamboree of Maritime blacksmiths will be on hand, forging metal, and providing the ring of the hammer on the anvil. Karen MacFarlane, the president of the Bass River Heritage Society is delighted to host the blacksmiths as a tribute to Mate Fisher, the Great Village blacksmith who moved to Bass River in Elizabeth Bishop’s day. It was the constant rhythm of the hammer that provided stability in Elizabeth’s fragmented world and it is the sound that underlies her most famous story called “In the Village.”

In Great Village, the festival includes a farmer’s market, readings by well-known authors Don McKay, Michael Crummey, Joan Clark, Anne Simpson, Sheree Fitch, Sandra Barry, and Mary Rose Donnelly) and three evenings of eclectic concerts. On Friday Lenore Zann presents a dramatic reading of a play about Elizabeth Bishop, “Running to Paradise,” with music by Rosalee Peppard. Saturday’s concert features Susan Crowe, Cindy Church and Raylene Rankin and on Sunday there’s a Musique Royale concert, “At the Fishhouses,” with Suzie Leblanc and Tempest Baroque. Throughout the festival there will be horse and wagon rides, guided walks and also Elizabeth Bishop House tours. On Sunday morning there will be an old-fashioned church service and a blueberry tea.

The Board-to-Boat Competition challenges everyone along the shore to participate. Families, young people (8 and up), community groups and Fire Departments, even the Colchester County Council, are invited to build a cardboard boat on site in Great Village and then there will be a walking parade of boats up to Logan Spencer’s pond where the actual racing begins at 5 p.m. on August 20. Prizes for the fastest, the prettiest and the best sinking will be awarded! Registration is $20 at Danny Smith’s Store in Great Village, refunded after participation in this event.

And there’s more: a display of paintings done recently in the area on a special artist’s weekend in June, and a book sale presented by Bookmark, Halifax’s beloved independent bookseller. Information, sales and registration can be found at the Great Village Legion. Elizabeth Bishop would be proud of her village, and happy to greet visitors to explore the wonders of the West Colchester Shore.

Sunday, August 7, 2011

News from Truro

Joy Laking

Joy Laking is interviewed by Monique Chiasson of the Truro Daily News about the upcoming EB100 Arts Festival:

http://www.trurodaily.com/News/Local/2011-08-05/article-2694555/Life-of-literary-icon-to-be-celebrated/1


Wednesday, August 3, 2011

Radical Readings in Great Village at the Elizabeth Bishop Centenary Arts Festival, 19-21 August 2011



On August 20 and 21 a half-dozen award-winning and beloved Atlantic authors will read from their latest work, and in a rare departure from tradition they will interview each other instead of being questioned by a neutral host. There could be fireworks! Olga Milosevich of CBC Radio One will be on hand to moderate, and there is no fee for excellent seats in St. James United Church, Great Village, at 1:30 p.m. each afternoon. On Saturday afternoon, 20 August, the readers are Anne Simpson, Don McKay and Michael Crummey; Sunday’s roster, 21 August, includes Sheree Fitch, Joan Clark and Sandra Barry.

Crummey, Clark, Fitch, McKay and Simpson will also offer writing workshops from nine to noon Saturday morning for budding authors of fiction, poetry and children’s books. At a cost of twenty dollars, this is another rare opportunity and the classes are filling up already; for information, interested writers-in-training should swiftly email ebfestival2011@gmail.com listing their top two choices.

Books are only one part of this three-day Elizabeth Bishop Arts Festival, which includes three special concerts (see the links at the top of the page for information about the concerts), feasts and historic tours. On Friday, August 19, there are events for children, a book launch (Mary Rose Donnelly’s new novel, Great Village, published by Cormorant Books) and presentation of the winning stories from a writing competition on the theme of home.

The winner in the open category will be a long way from home: award-winning poet Moya Pacey is coming from Canberra, Australia, to read her story and receive her prize. Moya says, “I have always been drawn to Elizabeth Bishop’s writing—her poetry and prose. Like me, she was a traveller and lived in a different country from her birth place for a long time but the memories of her childhood place stayed with her always—strong and potent. I am very excited about the award and feel honoured that my short memoir piece was chosen. The piece is very close to my heart. When I wrote it, I found I had such a strong recall of the close and closed community of my birth place that I was able to replay the memory of the night fifty years ago that my youngest brother was born. The memory came straight from what Elizabeth Bishop called the ‘memory machine’.”

That memory machine will be in high gear as the people of Great Village welcome folks from near and far to visit Bishop’s childhood home on the occasion of her hundredth birthday.

Check out the Elizabeth Bishop Society of Nova Scotia website for more details.

Monday, August 1, 2011

Sunday, July 31, 2011

Our Poughkeepsie Correspondent Writes --

POUGHKEEPSIE, NY -- A major exhibit and symposium organized by the Vassar College Libraries will mark the centenary of the acclaimed poet Elizabeth Bishop, a 1934 Vassar graduate who earned the Pulitzer Prize and many other major U.S. literary honors before her death in 1979. Central to these upcoming events are the unmatched Elizabeth Bishop Papers housed at the college’s Archives and Special Collections Library, which play a vital research role for scholars, writers, and editors from around the world. Notably, these programs dedicated to Elizabeth Bishop are part of Vassar’s special year-long celebration of the sesquicentennial of its founding.

About the exhibit

“From the Archive: Discovering Elizabeth Bishop”
August 30-December 15
Thompson Memorial Library

Curator Ronald Patkus, the Head of Special Collections at the Vassar College Libraries, asked ten Elizabeth Bishop scholars and editors (Joelle Biele, Lorrie Goldensohn, Saskia Hamilton, Bethany Hicok, Brett Millier, Barbara Page, Alice Quinn, Camille Roman, Lloyd Schwartz, and Thomas Travisano) to select items from Vassar’s Bishop collection that were important to their writing about the poet. For example, Brett Millier (Elizabeth Bishop: Life and the Memory of It, University of California Press, 1995) selected a composition book that Bishop used in 1934 right after graduating from college; in the book Millier found four pages of writing about the nuances of island life that suggest the origin of several later Bishop poems. Camille Roman (Elizabeth Bishop’s World War II-Cold War View, Palgrave Macmillan, 2004) chose for the exhibit an early draft of the poem “12 O’Clock News,” because discovering it at Vassar led Roman to re-read Bishop’s poetry through the frame of war. Alice Quinn picked two drafts of the unfinished story “Homesickness”; earlier, on the invitation of Bishop’s longtime editor Robert Giroux, Quinn edited a volume of Bishop writings that only reside in the Vassar collection (Edgar Allan Poe & The Jukebox: Uncollected Poems, Drafts, and Fragments By Elizabeth Bishop, Farrar, Straus & Giroux, 2006).

About the symposium

September 24
Taylor Hall

Hartwick College professor Thomas Travisano will moderate a morning discussion “On Editing Bishop,” with panelists Alice Quinn, Lloyd Schwartz, Saskia Hamilton, and Joelle Biele. Barbara Page, Professor Emeritus at Vassar College, will moderate an afternoon discussion “On Teaching Bishop” with panelists Beth Spires, Lorrie Goldensohn, and Jane Shore. The symposium culminates with a keynote address by former U.S. Poet Laureate Robert Pinsky, who will also read his new poem dedicated to Vassar’s sesquicentennial and commissioned by the college for the occasion.

About Elizabeth Bishop

Elizabeth Bishop (8 February 1911- 6 October 1979) stands as a major mid-twentieth century American poet, whose influence has been felt among several subsequent generations of poets. Her many prizes included the Pulitzer, the National Book Award, two Guggenheims, the National Book Critics Circle Award, the Neustadt International Prize for Literature, and Brazil's Order of Rio Branco. Bishop's first book of poems, North & South, appeared in 1946; the second, Poems (including North & South and A Cold Spring), in 1955; the third, Questions of Travel, in 1965, and the last, Geography III, in 1976. A one-time Consultant in Poetry to the Library of Congress, Bishop also published several poems in The New Yorker, wrote a number of distinctive short stories, and translated poems and prose in three languages, She wrote a volume in the Life World Library on Brazil, and co-edited An Anthology of Twentieth-Century Brazilian Poetry.

About the Elizabeth Bishop Papers at the Vassar College Libraries

Originally acquired by Vassar College in 1981 from the poet’s estate, the premiere Elizabeth Bishop repository consists of correspondence, personal papers, working papers, notebooks, diaries, and memorabilia, as well as a substantial amount of material by and about the poet’s friends and colleagues. Among the collection are over 3,500 pages of drafts of poems and prose; over 200 letters from poet Marianne Moore discussing their work and mutual friends; and over 200 letters from poet Robert Lowell discussing their work, Bishop’s influence on his work, as well as such prominent writers as Ezra Pound, William Carlos Williams, W.H. Auden, Sylvia Plath, Flannery O'Connor, and Mary McCarthy.

Vassar has steadily expanded its Bishop collection through donations, bequests, and purchases. “These additions have been both significant and sizeable,” writes curator Ronald Patkus for the publication accompanying the Elizabeth Bishop papers exhibit. “As in the original acquisition, they include a variety of materials, but especially correspondence with friends and fellow poets, such as James Merrill, Emmanuel Brasil, and Lloyd Frankenberg. One of the most important additions came in 2002, when the college acquired a collection from the Portinari family in Brazil, which contained among other things Bishop’s baby book; letters to friends from around the time of her partner Lota’s death; two watercolors; and an annotated copy of the book Brazil, edited by Bishop and first published in 1962.”

Vassar College is a highly selective, coeducational, independent, residential, liberal arts college founded in 1861.

PUBLIC CONTACT: Vassar College Libraries, (845) 437-5760, Office of Campus
Activities, (845) 437-5370

PRESS CONTACT: Jeff Kosmacher, Director of Media Relations & Public Affairs,
(845) 437-7404, jekosmacher@vassar.edu

Our Worcester Correspondent Writes --

Robert Pinsky and Chares Simic, both former poets laureate of the United States, will give poetry readings at 7:30 p.m. Aug. 13 at The Hanover Theatre for the Performing Arts, 2 Southbridge St., Worcester.

The readings are part of the Worcester County Poetry Association's “EB100” celebrations to honor the 100th birthday this year of Pulitzer Prize-winning Worcester-born poet Elizabeth Bishop (1911-79). Pinsky and Simic will choose a number of poems by Bishop to read along with their own works.

The readings are part of a daylong poetry celebration at The Hanover Theatre beginning at noon Aug. 13. The day will include an open mic, tables with books, journals and CDs by local poets and information on the Worcester poetry scene, a public reception and book signings.

All the events are free.

Pinsky was poet laureate from 1997-2000 during which time he founded the “Favorite Poem Project” in which thousands of Americans (of varying backgrounds, all ages, and from every state) shared their favorite poems.

Simic, poet laureate 2007-08, was born in Belgrade and came to this country with his family, living in Chicago. He has been praised for the “stunning and unusual imagery” of his poetry.

A number of EB 100 celebrations have been taking place in Worcester this year to honor Bishop, who more and more is being is being recognized for the quiet and enduring power of her poetry.

-- Richard Duckett, in The Worcester Telegram and Gazette

Thursday, July 28, 2011


ELIZABETH BISHOP CENTENARY
ST JAMES UNITED CHURCH
GREAT VILLAGE

ARTS FESTIVAL CONCERTS
AUGUST 19 - 21, 2011
7:30 PM CURTAIN

Friday, August 19th 7:30 PM Lenore Zann and Rosalee Peppard
Lenore Zann will present a dramatic reading from a play about Elizabeth Bishop by playwright Donna Smyth. Truro native Lenore is an award winning actor, writer, and producer with 33 years experience in film, TV, radio and the theatre.

Nova Scotia Singer, songwriter Rosalee Peppard will sing from her own repertoire and a new composition written in honour of this special Elizabeth Bishop Arts Festival event.

A special bonus - meet the winners of the "In the Village" writing competition.



Saturday, August 20th, 7:30 PM Rankin, Church and Crowe
Delight to the music of three of Canada's foremost female singer songwriters together on this one stage for an oh so very special evening. Each is a distinctive artist. Performing together, they offer more than the sum of those parts.

Friends and colleagues Raylene Rankin, Cindy Church, and Susan Crowe, all award winning recording artists, bring their varied musical signatures to the stage in a mix of elegance and accessibility. Folk, country, jazz, contemporary singer-songwriter make for richly textured harmonies and a welcoming rapport that invites audiences in, and makes them want to stay.



Sunday, August 21st, 7:30 PM Suzie Leblanc and Musique Royale

This special program features soprano Suzie LeBlanc, David Greenberg and Tempest Baroque Ensemble, and Antigonish author Harry Thurston. A selection of pieces will be sung and played in between and during the reading of the poem ‘At the Fishhouses’ by Elizabeth Bishop.

Acadienne Suzie Leblanc is an internationally respected soprano who has performed with the best opera and symphonic companies around the world. This summer she collaborates with Musique Royale to bring us a celebration of music and song in theme with the Centenary Year and this wonderful musical weekend of the Elizabeth Bishop Arts Festival. Merci beaucoup Suzie!

Friday, July 15, 2011

Sunday, July 10, 2011

EB100 WRITING WORKSHOPS - AUGUST 20, 2011

[Double-click the poster to enlarge -- JB]

“These Fine Mornings: Elizabeth Bishop and The New Yorker”

“These Fine Mornings: Elizabeth Bishop and The New Yorker

(written by Joelle Biele)

A Dramatic Reading of the letters between

Pulitzer Prize winning poet Elizabeth Bishop

and her New Yorker editors

based on Elizabeth Bishop and The New Yorker: The Complete Correspondence (2011) edited by Joelle Biele

Readers: John Barnstead, Sandra Barry, Suzie LeBlanc and Harry Thurston

Thursday, 21 July 2011

St. James United Church, Great Village, N.S., 7:00 p.m.

Free admission. Everyone welcome.

Free will offering fund-raiser for the Colchester Adult Learning Association

An Elizabeth Bishop Centenary event

These Fine Mornings is a one-act play that tells the story of Elizabeth Bishop and The New Yorker. It uses excerpts from letters between Bishop and editors Charles Pearce, Katharine White, and Howard Moss. Woven between their correspondence are letters Bishop wrote to friends, internal magazine documents, poems, and questions and answers that appear on proofs. Actors do more than one voice. The play was first read at the University of Chicago’s International House and hosted by the Program in Poetry and Poetics and the Poetry Founda-tion. These Fine Mornings is being read by contemporary poets at a number of venues as part of the celebration of the centenary of Bishop’s birth.

*****

Joelle Biele will also be giving a talk about Elizabeth Bishop and The New Yorker at the Nova Scotia Agricultural College, Room 254, Haley Institute Building, 58 River Road, at 1:30 p.m., 21 July 2011, as part of the NSAC Annual Open House.

**********

Joelle Biele is the author of White Summer and the editor of Elizabeth Bishop and The New Yorker: The Complete Correspondence. A Fulbright scholar in Germany and Poland, she has received awards from the Maryland State Arts Council and the Poetry Society of America. Her essays and fiction appear in American Poetry Review, Antioch Review, Black Warrior Review, Gettysburg Review, Harvard Review, and New England Review. She has taught American literature and creative writing at the University of Maryland, Goucher College, the University of Oldenburg, Germany, and Jagiellonian University, Poland.

http://joellebiele.com


About Elizabeth Bishop and The New Yorker:

"Meticulously researched and comprehensively edited... Biele is a scrupulous and painstaking editor of the correspondence, tracking drafts and letters through archives far beyond the New York Public Library." —Fiona Green, Times Literary Supplement

"One of the pleasures of Elizabeth Bishop and The New Yorker...is snooping around in the excellent footnotes and front matter for the wicked comments she made behind the magazine's back... There are thoseand, full disclosure, I am among themfor whom this kind of shop talk from an adored poet and her serious editors is uncut catnip." Dwight Garner, The New York Times

“Bishop’s long and affectionate relationship with the magazine is thoroughly documented in Elizabeth Bishop and The New Yorker: The Complete Correspondence… Poets and New Yorker aficionados will find it irresistible.” —Dana Gioia, The Wall Street Journal

*****************

The Colchester Adult Learning Association is a charitable non-profit community-based organization and relies on funding and support from groups and individuals who share our belief that every adult should have an equal opportunity to an education. At CALA we believe no one should be left behind no matter what your race, age, or literacy level. The MISSION of the Colchester Adult Learning Association is to assist adults who want to develop skills for lifelong learning so they may participate more fully at home, in the workplace and in the community.


For more information contact Sandra Barry at slbarry@ns.sympatico.ca

Thursday, July 7, 2011

Opening of Two Elizabeth Bishop Centenary Art Exhibitions

Great Village and In the Village Opening on July 5th 2011
Exhibitions are open week days until August 17 at McCarthy Hall, Nova Scotia Community College, Arthur St., Truro, and at the Elizabeth Bishop Centenary Arts Festival, August 18, 20, and 21, Great Village Legion
Sponsored by the Elizabeth Bishop Society of Nova Scotia and the Truro Arts Society


Exhibition Coordinator Bruce Gray (right) introduces EBSNS President John Barnstead

On the evening of Tuesday, 5 July, 2011, two art exhibitions opened in Truro. The exhibitions honour the Nova Scotia roots of Pulitzer Prize winning poet, Elizabeth Bishop. The exhibitions are part of a year long Centenary Celebration of her birth and the exhibitions will also be moved to Great Village for the Elizabeth Bishop Centenary Arts Festival August 19, 20 and 21.

Bruce Gray, the Exhibition Coordinator, welcomed the crowd and introduced Sandra Barry, Nova Scotia’s own Elizabeth Bishop scholar. Sandra captivated the audience with stories about Elizabeth Bishop’s own experiences as a visual artist and as an artist with words. Reading from Bishop’s poem, entitled “Poem,” Barry brought the relevance of Bishops writing full circle and the audience was very interested that the words of an author long dead are still shaping our world.

Bishop scholar Sandra Barry addresses the audience at the exhibition opening.

One of the exhibitions, “In the Village,” asked Maritime Artists to listen to the 55 minute reading of Bishops In the Village at www.elizabethbishop.org. Then artists were challenged to create their own visual works that reflected their own lives. Among the works, Truro photographer, Laurie Gunn did a photo collage called “My Golden Childhood” and Halifax artist Taiya Barss did a painting of a childhood door with childlike drawings scratched into the surface. Shapes of people and events were slowly evident upon close inspection. In this exhibition there was a synergistic energy between the works, because they all delved into personal stories.

Truro Arts Society members Margaret Boyle and Beth McDade view Joy Laking's acrylic self-portrait "In the Marsh" and Laurie Gunn's photo-collage "My Golden Childhood."

The second exhibition , Great Village, was visual works that reflect the village and its location on the shore of the Bay of Fundy. Four weeks ago, artists from around the Maritimes were hosted in Great Village for a weekend of paintings. Many of the works started on this weekend were in the exhibition. Halifax Artists, Susan Tooke and Richard Rudinicki and Portaupique artist, Joy Laking and others all did paintings of the red mud that seems to stretch outward to the horizon at “Low Tide.” Several artists actually captured the house in Great Village where Elizabeth Bishop lived. Two interesting watercolours were done by Ruth Peppard who herself was raised in Great Village like Bishop.

The president of the Elizabeth Bishop Society of Nova Scotia, John Barnstead, toured the audience around the exhibitions and spoke on behalf of the Society. He closed the evening with a reading from Bishop’s poem “The Moose.”