First
Encounters
1.
Strange
appearances,
full of serendipity
and charm. Newfoundland.
full of serendipity
and charm. Newfoundland.
2.
Awful
but cheerful,
looking for something something
something. Then: the House.
looking for something something
something. Then: the House.
3.
Meetings,
non-meetings
almost Akhmatovian
-- I mean my ego.
almost Akhmatovian
-- I mean my ego.
4.
Ten
years I lived here --
nobody had mentioned her
to me. Intriguing.
nobody had mentioned her
to me. Intriguing.
5.
Newfoundland
Journal.
Many generous people
invited us in.
Many generous people
invited us in.
6.
I
stand here, iron.
What you ask moves tormented
through my mind. Then. Now.
What you ask moves tormented
through my mind. Then. Now.
7.
A
green-covered book,
tiny, well-packed, straightforward,
unostentatious.
tiny, well-packed, straightforward,
unostentatious.
8.
--
Blueberry patches.
Like a child in Wonderland,
I came here to write. ---
Like a child in Wonderland,
I came here to write. ---
9.
Once
a failed poet,
now failed collector of them,
I love how words sound.
now failed collector of them,
I love how words sound.
10.
As
perfect a work
as any I have looked at,
a treasure within.
as any I have looked at,
a treasure within.
11.
Now
forever gone,
it hung on a bedroom wall
in the Poet's House.
it hung on a bedroom wall
in the Poet's House.
12.
As
a choir member, --
"Song for a Rainy Season"
-- I could feel the damp.
"Song for a Rainy Season"
-- I could feel the damp.
13.
Chateau
Frontenac,
an old and ornate hotel,
knows our language well.
an old and ornate hotel,
knows our language well.
14.
Completely
gob-smacked
I have no recollection
no link letter left.
I have no recollection
no link letter left.
15.
Under
the window
new and abiding desire,
age-old saudade.
new and abiding desire,
age-old saudade.
17.
Less
than meaningful
Dead White Protestant Males rule
and -- unknowing -- reign.
Dead White Protestant Males rule
and -- unknowing -- reign.
18.
Vanadous,
uranic,
bluebell tunicates blossom,
vain, but not raucous.
bluebell tunicates blossom,
vain, but not raucous.
19.
Where
mint grows by brooks,
the Bay of Fundy's sheer tides
crumbling ribs of marl.
the Bay of Fundy's sheer tides
crumbling ribs of marl.
20.
On
the syllabus --
"Post-Modern American
Poetry" -- her name.
"Post-Modern American
Poetry" -- her name.
21.
Who
was this poet
becoming canonical
in America?
becoming canonical
in America?
22.
Find
her reticence
grounded in Nova Scotia:
in burnt hawkweed.
grounded in Nova Scotia:
in burnt hawkweed.
23.
I
contributed
one poem to Canticle.
Being drawn closer.
one poem to Canticle.
Being drawn closer.
24.
Bike
rides, afternoon
naps, silence, asparagus --
like so many things.
naps, silence, asparagus --
like so many things.
25.
Printed
distinctly
in black ink on the blank page --
the first one -- her name.
in black ink on the blank page --
the first one -- her name.
26.
In
my final year,
and then the summer after,
the sound of her mind.
and then the summer after,
the sound of her mind.
27.
Down
shore is haunted.
"It's a racial memory --
something genetic."
"It's a racial memory --
something genetic."
28.
Fear
or loneliness --
detached otherworldliness
-- this separate life.
detached otherworldliness
-- this separate life.
29.
Enthusiastic,
spoiled, quick to judge, insecure,
I grew my hair out.
spoiled, quick to judge, insecure,
I grew my hair out.
30.
Behind
tall locked doors,.
wondering what it could mean,
The Manuscript Room.
.
31.
wondering what it could mean,
The Manuscript Room.
.
31.
Sable
Island trip.
Maud's painting of Great Village.
A challenge. A spark.
Maud's painting of Great Village.
A challenge. A spark.
32.
Living
the so-called
simple life, in an old home
amidst old patterns.
simple life, in an old home
amidst old patterns.
33.
On
a dim column
the image of a cock carved:
porphyry and bronze.
the image of a cock carved:
porphyry and bronze.
34.
Lo
que no sabe
una niña huérfana,
saben las olas.
una niña huérfana,
saben las olas.
35.
A
delicious chat,
wafting around my psyche,
tossed on Fundy tides.
wafting around my psyche,
tossed on Fundy tides.
36.
Crossing
hemispheres
as I have done to travel
perfectly at home.
as I have done to travel
perfectly at home.
37.
Something
more subtle?
Lupins, say, -- all pencil-thin,
prophetic, silent.
Lupins, say, -- all pencil-thin,
prophetic, silent.
38.
There's
my confession,
but I've made up for it since:
wet red mud glazed blue.
but I've made up for it since:
wet red mud glazed blue.
39.
Reaching
for the Moon.
Deceptive simplicity
drawing the drawing.
Deceptive simplicity
drawing the drawing.
40.
Ask
each sophomore
to memorize one poem.
The meadows unfold.
to memorize one poem.
The meadows unfold.
41.
Enter
the unknown
fascinated by the doors'
handles and latches.
fascinated by the doors'
handles and latches.
42.
"Reaching
for the Moon"
(in German "Die Poetin") --
always out of place.
(in German "Die Poetin") --
always out of place.
9
January 2018
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